Robert Carsen’s new production of Verdi’s Falstaff, which transposes the 1590s into the 1950s – one Elizabethan era to another, opened this month at the Royal Opera House, with costumes designed by Brigitte Reiffenstuel. Confessing that she enjoyed this ‘buoyant and vivacious…
In one of the many glowing reviews for this new production of Chekhov, Susannah Clapp opened her review for The Observer by noting the impact of Bill Dudley‘s design: ‘Lucy Bailey’s lovely Uncle Vanya is played in the round and with a twist; the oatmeal…
The ENO production of The Damnation of Faust, restaged by co-director Leah Hausmann, has opened in Palermo, Sicily. Click here to read reviews.
Jon Clark has designed the lighting for The Houes of Bernarda Alba, which opens at the Almeida on Thursday 26th Jan, in a new version by Emily Mann.
Design for Living, designed by Alex Eales, opens at the Salisbury Playhouse on 27 January.
‘Joss Bennathan’s production makes good use of a large ensemble cast’: book now to see Execution of Justice, by Emily Mann, at the Southwark Playhouse from 13 Jan until 4 February 2012. Click here for more reviews.
Emma Chapman designs the lighting for a production of The Sea Plays directed by Kenneth Hoyt, in the Old Vic tunnels, opening on 25 Jan.